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200 1# $aFantasie a tre voci, per cantare con ogni sorte d'istrumenti (Venice, 1585)$bMúsica impressa]$fGiovanni Bassano$cMadrigali et ricercari... a quatro voci (Venice, 1589)$fAndrea Gabrieli.$cTercetti from Il secondo libro delle canzonette a tre voci con l'aggionta di dodeci tercetti a note (Venice, 1592)$fValerio Bona$ged. Robert Judd
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215 ## $aXX, [2], 161 p.
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327 1# $aContém obras de Adriano Willaert, Antonino Barges, Girolamo [Cavazzoni] da Bologna, Cipriano de Rore, e Anonymous
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200 1# $aFantesie, et recerchari a tre voci, accomodate da cantare et sonare per ogni instrumento (Venice, 1549)$fGiuliano Tiburtino... [et al.]$ged. Robert Judd
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200 1# $aLibro primo de canzoni ... a quattro voci (Brescia, 1584)$fFlorentio Maschera$ged. Robert Judd
210 ## $aNew York ;$aLondon$cGarland Publishing,$d1995
215 ## $aXVI, [2], 156 p.
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200 1# $aComo livrar-se duma paixão$fDebora Phillips, Robert Judd$gtrad. Pedro Rosado
205 ## $a1ª ed
210 #9 $aLisboa$cCírculo de Leitores,$dimp. 1982
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304 ## $aTít. orig. : How to fall out of love
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200 1# $aLibro primo de balli, gagliarde, et correnti, a quattro voci (Rome, 1615) and Libro primo di sinfonie a quattro (Rome, 1615)$fJohann Hieronymus Kapsberger$ged. Robert Judd
210 #9 $aNew York ;$aLondon$cGarland Publishing,$d1993
215 ## $aXXI, [9], 190 p.
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200 1# $aScherzi forastieri per suonare a quattro voci (Milan, 1614)$fGiovanni Antonio Cangiasi$ged. Robert Judd
210 #9 $aNew York ;$aLondon$cGarland Publishing,$d1991
215 ## $aXXIII, [3], 160 p.
225 2# $aItalian instrumental music of the sixteenth and early seventeenth centuries$v24
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200 1# $aMesse d'intavolatura d'organo$bMúsica impressa]$fClaudio Merulo$ged. by Robert Judd
210 #9 $a[Stuttgart]$cAmerican Institute of Musicology,$d1991
215 ## $a108 p.$d33 cm
225 2# $aCorpus of Early Keyboard Music$v47
501 1# $aMissas
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