| Registos Bibliográficos associados ao registo de autoridade |
|
Etiqueta de registo: 00896cam 02200277 04500
001 12240
003 http://id.bnportugal.gov.pt/bib/porbase/12240
005 19981111100600.0
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095 ## $aPTBN00012556
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200 1# $aComo reconhecer a arte Românica$fFlavio Conti$grev. Adriano Gusmäo$gdes. Mariarosa Conti$gtrad. Carmen de Carvalho
210 #9 $aLisboa$cEdições 70,$dD.L. 1986
215 ## $a67 p.$cil.$d20 cm
225 2# $aComo reconhecer a arte$v2
304 ## $aTít. orig. Come riconoscere l'arte Romanica
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Etiqueta de registo: 00853cam 2200253 450
001 745397
003 http://id.bnportugal.gov.pt/bib/porbase/745397
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200 1# $a A personalidade artística de Abel Salazar$fAdriano de Gusmão
210 #9 $aPorto$cFundação Abel Salazar,$d1948
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316 ## $aDedicatória do autor$5PTBN: J. 6842
317 ## $aBiblioteca Jorge de Sena$5PTBN: J.S. 6842
600 #1 $aSalazar,$bAbel,$f1889-1946$xArtes plásticas$x[Ensaios]$2SIPOR$32120928
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966 ## $lBN$mMUSICA$sM. 614//9 P. $x1
966 ## $lBPMFF$mBPMFF$nLegado de Joßo Gaspar Sim╚aes$sJGS-2-1-5
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997 ## $aBIBEOD
998 ## $aCB031-383
Etiqueta de registo: 00954nam 2200301 450
001 1298108
003 http://id.bnportugal.gov.pt/bib/porbase/1298108
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200 1# $aEnsaios de arte e crítica$fAdriano de Gusmão$gintrod. Vítor Serrão, Dagoberto L. Markl
210 #9 $aLisboa$cVega,$dD.L. 2003
215 ## $a507, [4] p., [32] p. il.$cil.$d24 cm
225 2# $aArtes.$iHistória
320 ## $aContém bibliografia
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675 ## $a7.01(042)$vBN$zpor$3658168
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702 #1 $aMarkl,$bDagoberto L.$f1939-2010$4080$31648375
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001 1384801
003 http://id.bnportugal.gov.pt/bib/porbase/1384801
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200 1# $aComo reconhecer a arte Gótica$fMaria Cristina Gozzoli$grev. Adriano Gusmão$gtrad. Carmen de Carvalho$gdes. Fulvio Cocchi, Franco Testa, Mariarosa Conti
210 #9 $aLisboa$cEdições 70,$d2005
215 ## $a68, [3] p.$cil.$d20 cm
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304 ## $aTít. orig.: Come riconoscere l'arte gotica
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702 #1 $aCocchi,$bFulvio$4440$3217411
702 #1 $aTesta,$bFranco$4440$3217412
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966 ## $lBN$mFGMON$pManuel A. Pacheco,Lda$sB.A. 7039 P.$x1
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001 96190
003 http://id.bnportugal.gov.pt/bib/porbase/96190
005 19981119184700.0
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200 1# $a?A ?pintura maneirista em Portugal$fAdriano de Gusmäo
210 #9 $aLisboa$c[s.n.],$d1960
215 ## $ap. 71-74, [3] p.$d25 cm
305 ## $aSep. Actas III Colóquio Internacional Estudos Luso-Brasileiros, 2
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001 720016
003 http://id.bnportugal.gov.pt/bib/porbase/720016
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200 1# $aPinturas de Carlo Maratta e Matteo Rosselli identificadas em Vila Viçosa$fAdriano de Gusmão
210 #9 $aLisboa$cFund. da Casa de Bragança,$d1949
215 ## $a14, I p., [8] f. il.$cil.$d26 cm
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966 ## $lBN$mFGMON$sB.A. 1650//13 V.
966 ## $lBN$mFGMON$nEx. com dedicatória do autor. - Mau estado$pDoação Jaime Cortesão$sB.A. 16636 V.$x3
966 ## $lFCGBG$mFCGBG$sAP 11874
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982 #1 $tBailados do círculo de iniciação coregráfica$cLisboa.Bertrand,$d1948$5PTBN: B.A. 1650//1 V.
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304 ## $aTít. orig. : Come riconoscere l'arte gotica
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200 1# $aLuis Reis Santos, Professor de História da arte na Faculdade de Letras de Coimbra$fAdriano de Gusmäo
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200 1# $aInquérito museológico em Espanha$fAdriano de Gusmäo
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003 http://id.bnportugal.gov.pt/bib/porbase/363795
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200 1# $aLuís Reis Santos, professor de História da Arte na Faculdade de Letras de Coimbra$fAdriano de Gusmäo
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001 259302
003 http://id.bnportugal.gov.pt/bib/porbase/259302
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316 ## $aDedicatória do autor$5PTBN: J.S. 4819
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001 251086
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005 19981205104100.0
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